Moving on is not like a birthday, you can’t count down the hours ‘til
it arrives and you can’t mark it on a calendar and you can’t call up
your friends to help you celebrate. You can’t plan for it and you can’t
conclude it by blowing out a candle. When moving on happens there will
be no announcements, no notifications, no congratulations. There will be
no parade; only you will know. Moving on is like aging that way, if
aging happened backward. If the passing of days made you new and young,
if your condition only had room to improve. Instead of a throbbing pain
in your right knee forcefully, increasingly making its presence known,
first with a whisper and then with a mumble and then with a shout, ‘til
you can’t move, ‘til you can’t walk; moving on is gradual like that
except when it’s over, you can walk just fine. You can run, even.
Moving on is like this: one day you forget the taste. The next, you
forget the smell. Then the touch. Then the laugh. Then the smile. Then
the jokes. Then the eyes, the hair, the hands, the feet. You forget the pulses,
the beats, the rhythms and how you sometimes felt like they all
belonged to you. You forget the words; finally, you forget the voice
that spoke them. Moving on is like one day, you’re walking or reading or
drinking the sun and one of those footprints, one of those artifacts
will creep into your consciousness, “already seen,” the French call
this, déjà vu, and you won’t know where it belongs or how it got there.
All it takes is a familiar laugh, a recognizable word and you are
transported to who knows where. You are a confused paleontologist now,
scrambling to make sense of things left behind, trying to reunite the
right dinosaur with the right bones. The scar from his burst appendix
goes here, the part of his leg that doesn’t grow hair belongs there, I
think this is his morning breath but maybe it belongs to someone who
came before him; some other ghost, some other relic. His taste is an
aftertaste now, his crow’s feet a souvenir with no place to call home.
That’s what moving on is like.
Moving on is not like beginning a new chapter, it’s like beginning a
new book — with each turned page, the last story you read fades into the
background. A fairy tale that becomes just another book on a shelf;
folded corners and underlined words the only reminder of how you used to
touch and hold and love it. Moving on is when you begin to forget the
intricacies of a character you knew intimately, you forget what he did
for a living and the way he prepared grilled cheese and the nickname he
had for his first girlfriend. You forget how he lost his virginity, you
forget his middle name.
Moving on is waking up without a sour feeling in your stomach,
looking at a familiar menu and ordering something different, taking the
direct route to a destination and not the one that crosses a path you
once set in stone.
Moving on is when you think about him and don’t
punish yourself for it, when he begins to evoke more of a scientific
response than an emotional one, like “This is a 6’0” blonde-haired
person who exists,” and not “This is a person I wish I’d never met; this
is a person who has made me less of one.” Moving on is not to destroy
or to combust or to set ablaze, it is simply to move, to advance through
space and time, to leave behind the familiar dull of heartbreak for the
new, the unknown, the strange. Moving on is a bird flying south for the
winter who decides maybe the warmth isn’t so bad, who decides maybe it’ll stay there for awhile; moving on is like freedom, is what moving
on is like.